Singing Lessons
in Queens

Singing Lessons For Different Goals

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Vocal Coaching For the Experienced Singer in Queens

While I often work with singers on sound production, the fundamentals of breathing, and technique in general, I love working with knowledgeable singers in more of a coaching capacity.

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A professional vocal coach plays an instrumental role in guiding a talented singer towards Broadway success or mastering the nuances of an opera aria. Firstly, in terms of repertoire selection, a coach would consider the singer's vocal range, timbre, and strengths, ensuring chosen pieces accentuate these qualities and show you at your best. They would also consider the emotional resonance and the narrative aspect of the pieces, aligning them with roles the singer is right for.

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For audition preparation, a vocal coach would simulate real-life audition scenarios, providing critical feedback on performance dynamics, emotional connection, and technical execution. We would strategize on making an impactful first impression, song beginnings and endings, and even stage presence.

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Diction, especially in opera, is important. A coach would break down challenging phrases, focusing on the pronunciation of vowels and consonants, breath control, and ensuring that linguistic accuracy doesn't compromise vocal quality. They might employ techniques like tongue-twisters in various languages or focused listening exercises.

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Teaching Beginners in a Fundamentally Sound Way

If you are new to singing, or if you enjoy singing but haven’t taken formal lessons before, there is much we can work on. We can work on securing your range through vocal exercises, practice your technical abilities by working on scales and arpeggios, and discuss the importance of the breath. We will also dig into the role of the body in singing – our body is our instrument. Most of my teaching is rooted in the Bel Canto singing tradition, which is aligned in many ways with other schools, such as speech level signing.

 

We will also cover the basics of music, not just singing. We can work on sight singing and rudiments of music theory, particularly in the clef you sing in (sopranos would be treble clef for instance, while a baritone would be in the bass clef). Sight singing is a skill necessary for some auditions. We can also learn about rhythm, time signatures, accidentals, and other foundational elements of music in your lessons.

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Genre-Specific Voice Lessons

Do you want to learn how to sing Pop? Or, do you want to sing on Broadway, perform in an opera, become the next Nashville-famous singer-songwriter, or specialize in jazz music? Be open about your goals and preferences. We can incorporate pop, rock, classical, jazz, or other genres into your lessons. Some of my singers wish to belt more effectively, while others want to have a stronger relationship with their head voice or falsetto, mixed voice, learn to do runs and riffs, or other contemporary vocal techniques.

 

A Well-Rounded Knowledge of Vocal Repertoire

I believe that repertoire selection is incredibly important for singers, and that’s for two primary reasons. First, the music you sing in lessons should benefit you pedagogically by reinforcing new concepts and stretching your limits, technically and range-wise. Second, the music you sing should bring you joy. After all, if you don’t enjoy the music, why would you want to sing it well?

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I have a vast knowledge of vocal literature for basses, baritones, tenors, mezzos, sopranos, and everything in between, and whether you know your voice type or need help figuring it out, we can select music that you will love. I will specifically assign songs that will help you grow as a singer and musician. From Broadway standards to Dolly Parton tunes and Schumann Lieder, we will find the right music for you.

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Learn the Art of Practicing

While I teach concepts and guide growth for singers, one of my most important functions is teaching you how to practice. I offer vocal exercises to my students, and show them exactly how to perform these exercises every day. Furthermore, I break down each new song into accessible bits and pieces for you to practice on your own. Whether it’s a challenging jump, a long phrase with no time for a breath, a tricky scalar passage, or something else, I will help you develop strategies for practicing these components. Over time, you will gain confidence and the ability to create your own practice methods.