
About
Hi, I’m Julian
A vocal coach and professional singer based in New York City.
I’ve spent the past 15 years working with my own voice and with other singers’ voices — in lessons, rehearsals, performances, and real-life practice rooms. I’m deeply interested in how the voice actually works day to day: why it feels great one day and uncooperative the next, how technique shows up under pressure, and how to build a voice that feels dependable rather than fragile.
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My training includes classical vocal study, stage performance, and voice pedagogy, but my approach is very practical. I’m less interested in labels and more interested in helping singers understand what their voice needs in order to feel free, balanced, and expressive. I work with singers across styles and experience levels, from dedicated amateurs to working professionals.
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In lessons, we focus on the music you care about and the challenges you’re actually facing — range, stamina, consistency, tension, confidence, or simply feeling more at home in your voice. My goal is to help you develop a clear, sustainable technique and a better relationship with your singing, so you can enjoy using your voice and trust it when it matters.​


What shapes the way I teach is a simple idea: singing is deeply personal, and is an experience that impacts the whole person. How you breathe, how you stand, how you listen, and even how you think all show up in the sound you make. I’m interested in helping singers understand those connections in a clear, usable way — not by overcomplicating things, but by making technique feel practical and familiar.
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I started singing in choir as a kid, long before I thought about teaching or performing professionally. That path eventually led me to a full scholarship at Indiana University’s Jacobs School of Music, where I studied vocal performance, pedagogy, languages, acting, and stagecraft. That mix still shapes how I work today: technical, yes, but always grounded in expression and real music-making.
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Since then, I’ve performed in places like Carnegie Hall and Lincoln Center and worked with hundreds of singers in the studio. I know how exposed singing can feel, especially when something isn’t working the way you want it to. I also know how freeing it is when your voice starts to feel reliable — when you stop guessing and start trusting what you’re doing.
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My goal is to help you build that kind of relationship with your voice, so singing feels less stressful and more honest, enjoyable, and sustainable.
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